Click here to see this email on the web |  | Tuesday, October 17th, 2023 | | On View: Bretzke & Butko, Night & Day |  | Carl Bretzke, "Florida Sky," 24 x 36 inches, Oil on Linen, 2023
| Night & Day: Carl Bretzke | Viktor Butko is a two-man exhibition of masterful plein air and studio paintings from both near and far. Artists who paint from direct observation understand that scenes change depending on the time of day, and their commitment to their craft demands a level of endurance. Time is limited to capture a shadow, or perhaps the scene is more interesting now that that shadow has moved. Night & Day is an ode to the many colors of light, and how these colors change throughout the 24-hour cycle.
If You Go: Night & Day: Carl Bretzke | Viktor Butko On view through November 12, 2023 Grenning Gallery, Sag Harbor, New York
From the gallery:
Carl Bretzke (b. 1954 – Minneapolis, MN) returns for his 9th consecutive year exhibiting as a Grenning Gallery artist. Born, and currently based in Minnesota, Bretzke is an emotionally accurate and observant chronicler of urban and rural plein-air scenes. He is most comfortable painting the Midwest scenes he intimately knows, and his eye for American life is recognizable to any viewer.
Having been a surgeon for 30 years before becoming a full-time painter, Bretzke reflects: "In medicine, you see what you know. In painting, you paint what you see. You must know it, to see it, to paint it." His work explores the prismatic palette, and he is constantly concerned with the effect of light (perhaps an upshot of his scientific background.) Bretzke's paintings perform tricks for the eye as he explores the subtle shifts of the different colors of light within the composition.
Editor's Note: Carl Bretzke is on the faculty of the 11th Annual Plein Air Convention & Expo in The Great Smoky Mountains, May 20-24, 2024. Click here to join us and learn from Carl and many more expert plein air painters! |  | Carl Bretzke, "Division Street at Night," 24 x 36 inches, Oil on Linen, 2023
| He is particularly adept at scenes that ooze in darkness, reminiscent of Edward Hopper. Bretzke remarks: "What most people don't notice is, as the light drops off, the color of light changes. You must see where the color changes and where the light is coming from." In "Division Street at Night" Bretzke illustrates several light sources. The brightest being a pair of oncoming headlights – two glaring white orbs that cast luminous beams up to the dark sky and reflect against the road. This stream of white light allows the viewer to see the rich blue within the blackened night sky. Streetlamps adorn the perimeter of the road which radiate spheres in a burnt yellow-orange hue. An ornamented flowerpot adorns a triangular isle of grass, backlit by another pair of headlights, and a bright storefront window.
| — advertisement — |  |  | Carl Bretzke, "Waiting for the Check," 18 x 24 inches, Oil on Linen, 2023
| Bretzke's work also exudes a cinematic quality that evokes a more positive and connected iteration of Edward Hopper's deep dive into the American experience. In "Waiting for the Check" Bretzke places us at the historic Sag Harbor fixture, The American Hotel. A thriving establishment since 1846, this local institution holds a place in every heart that has visited our small village. One may feel complete contentment, having a late dinner on the porch, with heat lamps radiating warmth through the colder months, observing any and all Main Street movements from their treasured seats. A waiter stands in the doorway, eager to assist with any needs, gazing directly at the viewer – a reassurance that he is prepared to serve.
Bretzke moreover delivers a series of seascapes, with colorful clouded skies, and urban scenes with recognizable contemporary automobiles parked along nostalgic neighborhood streets. His winter landscapes sing with the silence of snowflakes; the only sound being footfalls atop fresh powder. |  | Carl Bretzke, "Unshoveled Sidewalks," 16 x 20 inches, Oil on Linen, 2023
| | | | — advertisement — |  | Tractors in Red, White, and Blue |  | "Tractors in Red, White, and Blue" by William Martin
| We love to hear from the Plein Air Today community! The following is part of a series that spotlights an artist who loves painting outdoors. Today's feature is on William Martin.
Plein Air Today Reader Spotlight: William Martin
I painted "Tractors in Red, White, and Blue" during the 2021 Hudson Valley Plein Air Festival. These tractors are located in a field across from Chambers Tractor Sales in Montgomery, New York. There are dozens of tractors there, as well as a practical museum of tractors (the Farmers Museum), which is dedicated to the historical importance of agriculture to the area and reflects the general patriotic spirit of the town. ~ W.M.
Do you have a plein air story to share with the community? Email us at onlinearteditor@streamlinepublishing.com with three to five images and captions, and a few paragraphs about your funny, inspirational, educational, or extreme plein air adventures! | — advertisement — |  | — advertisement — |  | | | | | | Plein Air Today is committed to protecting and respecting your privacy. We do not rent or share your email address. By submitting your email address, you consent to Streamline Publishing delivering regular email issues and advertisements. To end your Plein Air Today e-mail subscription and associated external offers, unsubscribe here. To learn more about Streamline Publishing events, products, and offerings visit StreamlinePublishing.com
Copyright 2023 Streamline Publishing, Inc. All rights reserved. PleinAir® Magazine and Plein Air Today® are registered trademarks of Streamline Publishing, Inc. | | | | |
Comments
Post a Comment